![]() ![]() Jay Wadley: It was certainly an exciting call to get and, and kind of the way that initially talked to me about what the needs were, they were pretty diverse. Knowing the music in I’m Thinking of Ending Things is so vital, where did writing begin for you? Polygon spoke to the classically trained musician about Kaufman’s musical vision for I’m Thinking of Ending Things, and how it speaks to the greater themes of the film. Music is the connective tissue for Jake’s psyche, making Wadley even more essential to setting the tone than a film composer might typically be. Everything before that moment, it seems, was some kind of extended delusion meshed together from Jake’s memories, dimensionalized regrets, and daydreams. The final scenes of I’m Thinking of Ending Things find a janitor (Guy Boyd), revealed indirectly to be an aged version of Jesse Plemons’ character Jake, succumbing to hypothermia in his truck. Wadley’s job on the film was to create a sound for the subconscious. As Brooklyn-based composer Jay Wadley told Polygon in the lead up to the film, it’s a movie that uses reference and pause-or-you’ll-miss-it detail to say something larger about the mind. ![]() The frames are layered with visual motifs, and the drama is never as literal as it seems - although the horror-ish mode makes it even blurrier. In the spirit of his debut, Synecdoche, New York, Kaufman’s story of a young woman (Jessie Buckley) meeting her boyfriend’s parents for the first time is a vessel for the unspoken aches and pains and anxieties of everyday life. In Kaufman’s hands, the drama - which grapples with aging, grief, ballet dancing, earworm jingles, tidy Hollywood movies, and the lives we imagine for ourselves - is more of a pop tragedy with room for annotations. Abrams joint, it might feel like a puzzle to solve. The ending of Charlie Kaufman’s I’m Thinking of Ending Things is a grand, surreal crescendo that’s likely to leave even the most open-hearted movie-watcher wondering: What does it all mean? If the film were a J.J.
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